In a new interview with The Hollywood Reporter, The Dark Knight director Christopher Nolan went over some familiar ground: the inspiration he drew from Richard Donner's Superman: The Movie.
Talking about the grounded realism of Superman's Metropolis as well as the casting of high-profile, critically-respected actors in key roles in the film, Nolan explained that even though Batman and Superman are wildly different characters, there are aspects of filmmaking that can be applied to both successfully.
Here's the pertinent bit of the interview:
Was a Batman film something that you had long had a desire to tackle? And was there something specific that you wanted to bring to it?
Yeah. It came to me in a very interesting way, which was my agent, Dan Aloni, called and said, “It seems unlikely you’d be interested in this, but Warners is sort of casting around for what they would do with Batman.” It had reached the end of its last sort of life, if you’d like. And at the time, nobody used the term "reboot" — that didn’t exist — so it was really a question of, "What would you do with this?" I said, “Well, actually, that is something I’m interested in,” because one of the great films that I am very influenced by that we haven’t talked about was Dick Donner’s Superman — 1978, that came out. It made a huge impression on me. I can remember the trailers for it, I can remember about Superman the movie, all of that. And it was very clear to me that however brilliant – and it was very brilliant – Tim Burton’s take on Batman was in 1989, and it was obviously a worldwide smash, it wasn’t that sort of origin story, it wasn’t that real-world kind of epic movie; it was very Tim Burton, a very idiosyncratic, gothic kind of masterpiece. But it left this interesting gap in pop-culture, which is you know, you had Superman in 1978, but they never did the sort of 1978 Batman, where you see the origin story, where the world is pretty much the world we live in but there’s this extraordinary figure there, which is what worked so well in Dick Donner’s Superman film. And so I was able to get in the studio and say, “Well, that’s what I would do with it.” I don’t even know who was first banging around the term "reboot" or whatever, but it was after Batman Begins, so we didn’t have any kind of reference for that idea of kind of resetting a franchise. It was more a thing of, "Nobody’s ever made this origin story in this way and treated it as a piece of action filmmaking, a sort of contemporary action blockbuster."
Grounded in realism...
Grounded in realism — grounded in heightened realism, grounded in the degree of realism that we expected at the time from, you know, our action movies, Jerry Bruckheimer action movies and things, that would have realistic textures, you know? So, "Okay, let’s do that." What I loved about Superman was the way New York felt like New York, or rather Metropolis felt like New York; Metropolis felt like a city you could recognize — and then there was this guy flying through the streets. "That’s amazing, so let’s do that for Batman, and let’s start by putting together an amazing cast," which is what they had done with that film, but which I hadn’t seen done since — they had everybody from [Marlon Brando] to Glenn Ford, playing Superman's dad, you know, it was an incredible cast. So we started putting together this amazing cast based around Christian [Bale], who seemed perfect for Batman, but bringing him Sir Michael Caine and Gary Oldman and Morgan Freeman and Tom Wilkinson. It was just incredible.
Elsewhere in the interview, Nolan also discussed why he was glad that they had played it safe on Batman Begins rather than setting up a trilogy from the word go. Three of four years betweetn the releases, he said, allowed him to evaluate what the perception of the films was by critics and audiences, and to fashion a sequel that served what the movies "had become," rather than what he thought he was making when he started the series.
He did admit, as he has elsewhere, that Warners was interested in hearing pitches for a franchise from the get-go, but that he and writer David S. Goyer avoided the question.