It's our annual look at reasons to love comics legend Stan Lee on his birthday...Enjoy!
Having spent most of his life working in and around comics, Lee has had an immeasurable impact on the industry, the art form and of course the commercial value of comics. We thought it could be fun to break down ninety-two reasons to love Stan--one for every year he's been around--but just rattling off ninety-two memorable characters he had a hand in creating would be too easy. Rather, we wanted to divide it up into a few categories and get a bit of a cross section going.
For the most part, we'll just let these reasons stand on their own--it's pretty obvious why "Spider-Man" is a reason to love Stan, after all...but we'll explain some of them as we feel it's needed or adds something. Excelsior!
Stan's vast character library
1. Adam Warlock
Whoever would have guessed that Ant-Man would have overcome its pre-production obstacles and the character's C-list stature to become a big hit with fans around the world?
Next up: a sequel to a movie a lot of people thought would be "Marvel's first big miss."
4. Aunt May and Uncle Ben
The best parents in Marvel...aren't actually parents.
6. BATROC THE LEAPER
I'm sorry, but "Batroc the Leaper" is up there alongside "Balloon Buster" for one of the great comic names of all time. Batroc made his Marvel Cinematic Universe debut in Captain America: The Winter Soldier.
7. Black Panther
8. Black Widow
9. Captain Marvel
Even though Stan didn't write it, one of our favorite Spider-Man stories -- ever -- is Paul Jenkins's strange and heartfelt reinvention of the Chameleon as a desperate man looking to extend an olive branch to Peter -- the closest thing he has to a friend.
12. Dr. Doom
13. Dr. Strange
15. Fantastic Four
16. H.E.R.B.I.E. Because who doesn't love H.E.R.B.I.E.? Even if it's ironically?
17. Fin Fang Foom
18. FRANKLIN RICHARDS
The first of his kind, Franklin was the son of major, popular characters who headlined their own comic book all the way from prior to his conception through his birth and beyond.
We're going to go ahead and say that the great stuff happening in Superman and Action Comics right now with Jon Kent wouldn't be happening if Franklin Richards hadn't come along.
"I am Groot!" got an even bigger bump recently, with Guardians of the Galaxy becoming the biggest movie of 2014. There's more to come in 2017, with a hugely-anticipated return to the big screen for the (still) little guy.
21. Gwen Stacy and Mary Jane Watson
Whether intentional or not, Lee created one of the best love triangles in the history of comics, and two of the most beloved female characters in comics--almost certainly the two most popular Marvel women who don't have powers.
23. Human Torch
24. The Incredible Hulk
25. The Inhumans
The new X-Men of the Marvel Universe, a TV series of their own coming soon (preceded by a 2-hour IMAX theatrical pilot), how long before The Inhumans are one of Stan's best-known co-creations?
26. Kraven the Hunter
29. Nick Fury
These guys are more significant than ever recently, as Marvel's Agents of S.H.I.E.L.D. has become a reliable source of ratings for ABC on the previously-toxic Tuesday night.
31. Sharon Carter
32. Silver Surfer
I mean--you've got to love Stripperella, right?
35. The Governator
There was a long period where almost everything Stan made could be enjoyed ironically. The Governator came right in the middle of that period.
36. The Inhumans
37. The Power of Myth
The Marvel Universe would be a decidedly different place today if Stan Lee and Jack Kirby hadn't brought in dozens of characters they DIDN'T create--but reinvented to suit the Marvel Universe. Thor and his fellow Asgardians, Ares, Hercules and the rest are just the beginning--characters from mythology and public domain stories have always popped up in Marvel Comics, and usually enhance wherever they happen to be.
38. RAVAGE 2099
At a time when he hadn't written anything much new for Marvel in years, Lee came on board for Ravage 2099, the only one of the 2099 launch titles that wasn't a reimagining of an existing character, but an entirely new one created for the line.
39. Scarlet Witch
41. The Skrulls
42. The Watcher
43. Wonder Man
This looks like it's going to be one of the best Marvel Easter eggs in a while, so let's all sit and think for a while how cool of a character he is (even if we probably won't ever REALLY see him in the movies).
46. Jean Grey
48. Professor X
49. Any number of supporting characters For years, Superheroes' supporting casts were little more than props, two-dimensional characters meant to put the hero into a situation to do his heroing and little more. With Marvel's character-centric approach came dozens of supporting characters who were fascinating people in and of themselves, and who made us care what happened to them because they were PEOPLE, not just because it meant the hero had succeeded or failed.
50. J. Jonah Jameson
52. Virtually Every Villain You've Seen in a Movie
Stan had a hand in creating Magneto, Dr. Octopus, Green Goblin, The Sandman, Loki, The Mandarin and lots, lots more. The Marvel movies that are making billions of dollars at the theaters might exist without Stan Lee...but it's unlikely, and they'd have a distinctly different face if they did.
Stan the Writer:
53. The Shared Universe
It's hard to imagine DC Comics or Marvel Comics at a time when there wasn't a "shared universe" and continuity to worry about, but while characters often shared the pages together, there was no really coherent drive to make any kind of unified world or timeline until Lee and Kirby did it with Spider-Man, Fantastic Four and The Avengers.
54. New York, New York
Grounding the Marvel Universe in New York City meant giving fans familiar scenery and places they could actually visit, rather than the more fanciful tradition of creating a fictional city for your hero to protect. It also made the city a very dangerous place to live, with all those supervillains hanging around.
55. Superheroes as Metaphor
At the time he and Jack Kirby started pursuing the "mutantkind as the oppressed people" metaphor, mainstream American comics were seen as disposable, popcorn entertainment for kids. Not really the perfect stage for the kind of story that would become so wildly popular later.
56. A Little Diversity
Ben Grimm was Jewish, and Peter Parker...well, he probably is, let's be honest. Falcon and Black Panther are some of the first non-white superheroes to play a major role in American comics. And all of these characters are co-creations of Lee's, at a time when the "default" creative setting was "white dude."
57. Just Imagine...
There's something just absolutely bonkers about the Just Imagine Stan Lee Creating... comics, and we love it.
58. Marvel Style
Granted, it was done for convenience and speed, not for creative reasons, but "Marvel style" scripting--where the writer would plot out a story and then hand that off to the artist, scripting after he'd got the art back--changed the look of American comics forever.
59. Moral Ambiguity
Just look at the big debate between Xavier and Magneto; is there really a "clear" hero in that? It depends on who you ask. You don't get that kind of nuance with Lex Luthor.
60. The Tortured Hero
Nobody particularly liked Spider-Man or the X-Men; Spidey, in particular, was unpopular in both of his personae and living a very modest, often humiliating life as Peter Parker. This was nothing like Superman, whose gifts were celebrated, or Batman, whose wealth made Bruce Wayne's life mostly a cakewalk.
When Gwen Stacy died, she stayed dead. Ditto her dad and, for years, the Green Goblin. The concept that there were consequences for choosing to be a hero was one of the things that really enhanced the heroism. There can't be true heroism without sacrifice, after all.
This isn't a shot at contemporary storytelling, where reversing some of those decisions comes from a desire to enrich the history and continuity of books, but pointing out that such things really didn't exist in the pre-Marvel Age days when most superhero stories were one-and-done.
62. The Danger Room
One of the many great settings of the Marvel Universe, the Danger Room was a real revelation in its time. Likely informed by military boot camps, the room became a staple of X-Men storytelling.
Stan the Editor:
Stan Lee was the George Lucas of comic books; more than just about anybody he understood that these characters had value outside of the printed page, and he pursued it years before it was a viable thing.
64. The Bullpen
The celebrity culture of today's comic book news and rumor sites can be traced back to Stan Lee's original bullpen, with their silly nicknames and personalities projected to the outside world in print.
65. The Merry Marvel Marching Society
The first comics podcast ever, this was available for free to fan club members...on record.
66. Helping to save the superhero
It's hard to imagine a world now where the superhero comic was nearly extinct in favor of other types of stories, but it was in no small part thanks to Lee and Jack Kirby that the superhero lived to fight another day after being nearly wiped out by Frederic Wertham.
67. How to Draw Comics the Marvel Way
This is one of those books that every artist and aspiring artist had on their shelf for years.
68. If it works, steal it.
Stan Lee is pretty open about the fact that, following the success of Justice League of America over at DC Comics, he learned from a DC editor how well it was doing and immediately set about getting The Avengers going at Marvel.
Obviously, the two fill very different roles in today's comics marketplace, but back then the idea of creating a superhero team and slapping all of your biggest personalities in one book was a new one...but one so self-evidently good, Stan shamelessly took it and ran with it.
69. The lovably corny catch-phrases
Part of Stan's persona for years has been his 'Nuff said, Excelsior-type catch-phrases. They call back to an earlier era in comics, and they're just so irrepressibly charming that you can't think about how silly they are. It's like Billy Batson's magic word.
Stan the Man:
70. Secret Origin
Stan Lee started out as basically an intern, filling up ink bottles and bringing people coffee, before working his way into writing comics by first writing prose pieces as filler material and then finally writing some of the books themselves. Seems like it worked out for him.
71. His social media presence
Stan himself is a big hit on Twitter, with over one million followers, and his Stan Lee Comikaze conventions also host a Facebook page that provides hilarious, pop culture-inspired memes and jokes in addition to providing a social media presence for both Stan and the shows.
72. His Service in World War II
Stan Lee served in the Signalmen from 1942-1945, being one of only nine men classified as a "playwright."
73. The Comics Ambassador
Working with everyone from Ringo Starr to Arnold Schwarzenegger, Lee manages to make comics as mainstream a thing as can be. Even if a lot of those projects never materialize, or aren't critically beloved, getting in front of more eyes and being seen in a number of different lights is good for the industry and the art form.
74. Still Working After All These Years
Try going to a major convention and NOT seeing Stan Lee. It's difficult to do. Besides the fact that he's still developing ideas for comics, TV shows and video games, and still appearing on TV and in the movies, he appears all over the country to discuss his creations and the future of comics. At 90.
75. His Arc Reactor
How did (then) 89-year-old Stan Lee react to getting a pacemaker? By comparing himself to Iron Man. This is like a Chuck Norris joke.
Because tell me that's not hilarious.
77. He's not afraid of the occasional crossover adventure
Just see this tweet with Smallville actress Laura Vandervoort, for example.
78. He's got a sense of humor about himself
Did you ever see the episode of Chuck where he played a buffoonish version of himself who was crushing on, and rebuffed by, General Beckman? Hilarious.
You can watch it on Netflix...or just the cameo below.
79. He has absolutely no modesty whatsoever.
That might be clear from the centerfold there, but even above and beyond that, Stan has no problem doing something like Mallrats, where he just rattles off his accomplishments at the drop of a hat.
In a younger man, it may be brash and egomaniacal. At Stan's age, it's just cool.
80. He's won every award in the world.
Not really, of course, but it sometimes seems like it. He's got a star on the Hollywood Walk of Fame and he's been inducted into two separate comic book halls of fame.
How long until they give him an honorary Oscar for everything he's done for Hollywood and all those movies he's been in?
81. Working with the Hero Initiative
Stan Lee, Joe Quesada and Kevin Smith released the Marvel: Then & Now DVD ages ago to benefit the Hero Initiative...since then, it's been one of Lee's pet causes, providing for the needs of many of his onetime peers who didn't do as well as he did financially. In fact, a few years ago he asked his 89th birthday presents to be "shifted" to Hero.
82. The Stan Lee Foundation
One of a number of charities that promotes literacy through comics, the Stan Lee Foundation supports programs and ideas that improve access to literacy resources, as well as promoting diversity, national literacy, culture and the arts.
83. Loose Lips that Launch Ships
Ever notice how often Stan Lee says something offhand in an interview or at a speaking appearance, and it turns out to be news that he didn't know was still secret? We all have fun with that.
84. Forever Embracing Change
Stan Lee has been one of the first big names in comics to adopt things like digital comics and YouTube. Does it always work out for him? No, but he heads into his next venture undeterred, knowing he's got a long history of success to fall back on.
85. Where's Stan?
We love that you can play "Where's Waldo?" with Stan Lee in just about every movie based on one of his characters. He's even sometimes played cameos in things he didn't create, like the Chuck scene above, and is always commenting how he'd love to pop up in something like a Batman or Star Wars movie.
86. Stan Lee on Film
Lee has appeared as himself in dozens of movies and TV shows, including the Eric Roberts/James Earl Jones stinker The Ambulance and even on Batman: The Animated Series.
87. He never stops smiling
In acting parlance, Stan Lee never, ever breaks character. Everywhere you see him, he's always got a smile on his face and an "Excelsior!" on his lips. He's been doing this for decades, and somehow he's not tired yet.
88. He gets to hang out with America Young
And plenty of other awesome, young creative types...but Young, a personal favorite of the site, comes to mind because she worked with him at Stan Lee's World of Heroes.
89. A Great Marriage
Stan tragically lost his wife Joan in 2017. You think it's impressive for a celebrity to stay married to the same person for so long (nearly 70 years)? Lee said it was easy; they never had a fight. Joan has just had a long string of victories, including how much we all miss her. RIP.
90. His The Wolverine cameo...
So Stan couldn't make it into The Wolverine, but somebody in the props department made sure he was there in spirits...err, spirit. See what we did there?
For a guy who came up in the industry during the forties, fifties and sixties, he's always been fairly open to diversity in the content of his books. Nowadays, he works on a number of international projects with non-white, non-Christian leads, many of which are being developed as feature films, novels, and other non-comics media around the world.
92. The best Stan Lee Cameo Is the One That's Yet To Come
Last year, we saw Stan DJing at a strip club. What's next? Who knows, but filming not one but several cameo appearances with Guardians of the Galaxy's James Gunn? That's gotta be good material.
93. Stan the Box
...which seems like a surprisingly awesome idea:
94. He's Still So Woke
To use the term the kids do these days: Stan Lee has been "woke" since he first came on the scene, and just this past year, he reminded us that he's still willing to speak out for social justice and equality:
95. 95 Years of Stan Lee
Yeah, that's a little on-the-nose, isn't it? Oh, well. It's a good enough reason for us.