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House of the Dragon Showrunner Reveals Why the Final Season Will Be More “Worthy” Than Game of Thrones’

The House of the Dragon Season 3 Finale was an epic battle on par with some of the best episodes of Game of Thrones. The conflict had been building for half a season after Rhaenyra Targaryen (Emma D’Arcy) claimed the Iron Throne. Lord Ormund Hightower (James Norton) and his forces occupied the town of Tumbleton, just southwest of King’s Landing, using that proximity to sabotage or challenge Rhaenyra’s rule on many fronts. Finally, Rhaenyra had enough and dispatched her husband, Prince Daemon Targaryen (Matt Smith), to conquer Tumbleton.

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“The Treasons at Tumbleton” lived up to its title by revealing how key moments of Rhaenyra and Ormund being betrayed led to a nightmarish conflict that left Tumbleton scorched and burning. It’s hard to say if anyone “won” the fight, but certainly, Westeros won’t be the same after word spreads that an entire town was annihilated by the conflict between the Greens and the Blacks, and that dragon riders are running amok. Rhaenyra’s sister Helaena killed herself rather than remain a hostage, leaving behind one final embroidered prophecy depicting a bloody ending for “Queen” Rhaenyra.

House of the Dragon Showrunner Promises Fans A Good Ending

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The Season 3 Finale was a major turn that sets up House of the Dragon Season 4 for some bloody final conflicts. Rhaenyra has clearly turned a corner toward becoming the same kind of ruthless ruler that Daenerys Targaryen (Emilia Clarke) did in Game of Thrones, but according to several key omens in Season 3, that may not work out in Rhaenyra’s favor. Either way, fans of House of the Dragon just want to see a fitting end to the series. After all, Game of Thrones ended on such a bad note that the stigma now hangs over the entire franchise.

In a new interview with EW, House of the Dragon showrunner Ryan Condal talked about what they have planned for Season 4 to ensure fans get a “worthy” ending to the story they invested in: “Season 4 is going to be even bigger. We have new characters and new dragons and new locations, all to come, that I think are gonna make it a very worthy final season.”

Did HotD Just Ruin Rhaenyra Like GoT Ruined Daenerys?

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Even as Ryan Condal promises that the end of House of the Dragon will deliver, fans are already debating the Season 3 Finale, and Rhaenyra’s total heel turn over the back half of the season. After a triumphant march into King’s Landing to reclaim the Iron Throne, Rhaenyra found herself ill-suited to ruling. She failed to secure her throne and eliminate challengers; she could not instill a sense of safety and fealty in the people, or within her own royal court. She became estranged from her closest family, friends, and allies, and was even caught in a power struggle between her lovers. By the finale, Rhaenyra was so far gone that she was force-feeding a pregnant Helaena, murdering the High Septon, and declaring herself a god-anointed chosen one (“the Prince Who Was Promised”) who would defend mankind from the Long Winter.

Game of Thrones fans felt like they had seen this kind of turn before, with Daenerys, who went from being a great freedom-fighter and liberator over the course of 8 seasons, to a murderous despot in the span of the final two episodes. According to Condal, Rhaenyra and Daenerys may both end up being brutal rulers, but took very different paths to get there.

“This is one of those existential themes that goes across this entire [Game of Thrones] universe, which is the draw of the Iron Throne, what it does to a person in its thrall or the people that are trying to get to it,” Condal explained. “The big difference between Rhaenyra and Daenerys is that Daenerys only got to the Iron Throne at the very end, after she destroyed the city. Rhaenyra goes through this experience of having the throne, trying to hold it, and being, in a way, turned and changed by it. So I think they’re very different things, but I think that the parallels do call to the greater themes of the A Song of Ice and Fire universe, which is pride and power and how power corrupts.”

The other big difference is that fans know for sure that A Song of Ice and Fire creator George R.R. Martin originally wrote Rhaenyra’s character arc to include this turn, as seen in the novel Fire & Blood. Game of Thrones‘ final season will forever carry the stigma of not being an adaptation of Martin’s books, as the author has infamously stalled on writing the final two ASoIaF novels, The Winds of Winter and A Dream of Spring. Meanwhile, Rhaenyra’s spiral was foreshadowed from the moment Season 3 began, and hinted at throughout the back half, after she took the throne. The question now is: will this Targaryen’s descent into madness deliver a greater climax and point than Daenys did?

House of the Dragon is now streaming on HBO Max.

Forum Conversation: FROM (TV Series)

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Sydney Members
Sydney Members
August 10

From is a fable. The three people chosen by the cicadas were not an accident. Julie, the story walker. The one who has already done things that create and advance the story (throwing the rope to Boyd, knocking on the diner door to stop Randall from harming Kenny, most likely telling a story to the children to give them hope thereby creating the faraway tree). Randall, the warrior. He will be the one to carve the talismans (that Julie will place), as they showed him carving a face in wood in S2. That wasn’t an accident. Mari, is the healing fairy. Who are they trying to save? The children. Where to save them? The lake of tears. What is Mari? A pediatric nurse. Smiley wasn’t supposed to harm Mari. He went off script and the monster did what it did. With him harming Mari, it will actually help them leave this place and close the loop. There’s a reason why Mari heard the screams of everyone who has their soul trapped in Fromville. Fatima will help them get to the lake of tears, which is underground guarded by a large spider, who Randall will defeat as a sort of David V Goliath sort of thing. He is smallest guy outside of Ethan. It makes sense he would be the warrior because he first appeared selfish but he really wasn’t. He went into a house to help a woman he didn’t know. The Story-walker, the Warrior, the Healer. That is your fable.

FantasticJerome Members
FantasticJerome Members
July 10
4 hours ago, Chuck Yeager Ala Mod said:

Lost, Fringe, Stranger Things, Game of Thrones, Jurassic Park Series (movies), Heroes, The Umbrella Academy, Once Upon A Time, The Strain and there are more but I can’t remember them right now. All of the above shows had a great idea and storyline for the first few seasons but then the seasons got worse and worse. Writers, Directors and Producers never think their shows through to a interesting ending; they can only create an interesting beginning. Personally, they should make ever tv show from books that are written by great authors and there is an end book for the series or there are so many book in the series that one doesn’t have to worry about running out of material. I like the Spanish novellas. They are usually based on books so there is a clear beginning and ending.

I hope it doesn’t become another “Lost” where the idea was great, but they eventually lost control of it and didn’t know where to go next.

Chuck Yeager Ala Mod Members
Chuck Yeager Ala Mod Members
July 9

Lost, Fringe, Stranger Things, Game of Thrones, Jurassic Park Series (movies), Heroes, The Umbrella Academy, Once Upon A Time, The Strain and there are more but I can’t remember them right now. All of the above shows had a great idea and storyline for the first few seasons but then the seasons got worse and worse. Writers, Directors and Producers never think their shows through to a interesting ending; they can only create an interesting beginning. Personally, they should make ever tv show from books that are written by great authors and there is an end book for the series or there are so many book in the series that one doesn’t have to worry about running out of material. I like the Spanish novellas. They are usually based on books so there is a clear beginning and ending.

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