TV Shows

Prime Video Is About to Lose One of the Best Sci-Fi Series of the Last Decade (But Here’s Where You Can Find It Next)

Dystopian sci-fi, when done right, is often genre-defining. Think about the impact Blade Runner continues to have on film and filmmaking. Try to imagine popular culture without The Matrix, or Black Mirror, or The Planet of the Apes franchise. These stories have shaped not just the genre to which they belong, but the medium through which they’ve been told. More recent examples are a bit harder to come by, but there is one series that could potentially age just as well as the aforementioned classics, and it’s been available to stream since 2023.

Videos by ComicBook.com

Until now, viewers could enjoy Season 1 of the excellent, Rebecca Ferguson-led Silo on either Apple TV+, its home platform, or Prime Video, where you could stream it for an additional fee. After August 13th, however, the series will only be available to Apple TV+ subscribers. The show, currently sporting a 93% approval rating on Rotten Tomatoes, follows a community living in a massive subterranean silo that holds more questions than answers. Ferguson portrays Juliette Wills, a Silo resident and engineer who begins digging into the community’s history and uncovers its horrifying truths. Graham Yost adapted the story from Hugh Howey’s Silo novels, which first appeared in 2011 as the short story “Wool.” On Rotten Tomatoes, Seasons 1 and 2 hold respective approval ratings of 88% and 92%.

Silo is currently midway through its third season, which is currently enjoying almost universal acclaim among critics. Its fourth season is confirmed to be its last.

Silo’s Cast is As Dazzling As Its Story

Image Courtesy of Apple TV+

At least half of what makes Silo so monumental is its cast, which has swelled to include some of TV’s biggest names. In addition to Ferguson, Silo‘s cast includes Parks and Rec star Rashida Jones, former Marvel actress Jessica Henwick, Selma star David Oyelowo, rapper and actor Common, Tim Robbins, and Steve Zahn. The characters and performances are so layered, so rich, that emotional investment is almost guaranteed. Critics heap praise on Ferguson’s performance, and just as deserving of admiration and possible accolades are Tim Robbins and Steve Zahn, who shine in their respective turns as menacing IT head Bernard Holland and Jimmy Conroy, the sole survivor of a violent and costly rebellion. Together, they offer viewers some very welcome nuance while still illuminating the contrast between the people pulling the strings and the people at the end of those strings.

Thankfully, Silo‘s story and the world it depicts are perfect matches for such high-caliber performers. Silo loads itself with all the twists and turns viewers could want from a mystery series, and it does so without compromising its social commentary and obvious entertainment value. It’s busy and ambitious, but never to a degree it can’t manage or grow into. Believe the hype: Silo is not only one of the best sci-fi shows of the last decade, but one of the best shows on TV, period.

Silo Season 3 airs weekly on Apple TV+ until September 4th.

Forum Conversation: RoboCop Reboot for TV

Go to Forum
Valdezology Members
Valdezology Members
July 29

lol there is stuff that could be done, but should they? no

saperry Members
saperry Members
July 23
On 7/22/2026 at 4:54 AM, DomVonTomb said:

It’s gonna say, “Hey world! We can’t invent any new exciting characters so here we go again with more refried bullshit”. When you think about all the characters and storylines and different series in the mcu made possible by a handful of men like Jim Lee and Kirby and Romito and Zeck and rebooting something that has been rebooted at least twice since the original came out when I was a kid is the best we can come up with? It’s pathetic and the refusal to create but rather reboot and simply rebrand old characters into a different sex or race is just about the only thing modern artists are capable of. That’s why when something even remotely fresh comes out it takes off, like the boys or invincible. And even those aren’t very original or unique. This is why comic books aren’t going to survive in the future not because kids don’t read paper media anymore but because they’ve already read every story before it comes out and they get tired of it. I remember working on Thunderstrike with Ron Frenz and thinking the same thing back in 1995. Here we are again talking about robocop when that movie came out when I was 8! Im 50 now!!! The industry needs to be held at a higher standard. Get up get out and create. Stop relying on ideas someone else came up with 40 years ago to get by because it’s a safe bet. Stop changing iconic characters from men to women and from white to black and vice versa and just create something new. Can people do that anymore? Or are we gonna live the same stuff over and over forever. Hollywood will always do what’s easiest and safest. We as a society have to stop giving them our money when james Gun pumps out another assembly line turd like he just did with Superman and Supergirl. Make them come up with something new and original or don’t waste your money going to see it.

oh okay

DomVonTomb Members
DomVonTomb Members
July 22
16 hours ago, saperry said:

I’m sure that a RoboCop reboot CAN work in 2026, but is there anything it can say better than the original already did??

It’s gonna say, “Hey world! We can’t invent any new exciting characters so here we go again with more refried bullshit”. When you think about all the characters and storylines and different series in the mcu made possible by a handful of men like Jim Lee and Kirby and Romito and Zeck and rebooting something that has been rebooted at least twice since the original came out when I was a kid is the best we can come up with? It’s pathetic and the refusal to create but rather reboot and simply rebrand old characters into a different sex or race is just about the only thing modern artists are capable of. That’s why when something even remotely fresh comes out it takes off, like the boys or invincible. And even those aren’t very original or unique. This is why comic books aren’t going to survive in the future not because kids don’t read paper media anymore but because they’ve already read every story before it comes out and they get tired of it. I remember working on Thunderstrike with Ron Frenz and thinking the same thing back in 1995. Here we are again talking about robocop when that movie came out when I was 8! Im 50 now!!! The industry needs to be held at a higher standard. Get up get out and create. Stop relying on ideas someone else came up with 40 years ago to get by because it’s a safe bet. Stop changing iconic characters from men to women and from white to black and vice versa and just create something new. Can people do that anymore? Or are we gonna live the same stuff over and over forever. Hollywood will always do what’s easiest and safest. We as a society have to stop giving them our money when james Gun pumps out another assembly line turd like he just did with Superman and Supergirl. Make them come up with something new and original or don’t waste your money going to see it.