Exclusive: Jonathan Coulton, Pak and Miyazawa Talk Code Monkey Save World

With more than $175,000 already generated via the crowdfunding site Kickstarter, Greg Pak and Takeshi Miyazawa’s Code Monkey Save World, the original graphic novel based on the music of Jonathan Coulton, is officially a huge success.Originally designed to generate $39,000 — just enough to put together the comic, which will be distributed digitally through Monkeybrain — that amount had been quadrupled by Wednesday, when the group announced that Coulton will record a special, acoustic soundtrack for the Kickstarter backers if the drive reaches $200,000 by the time it’s over on May 15.That doesn’t seem to be a particularly unrealistic goal, as the project has already got more than $189,000 with half its life remaining.Not a bad haul for a graphic novel that began its life as a half-joking tweet between Coulton and Pak; back in November, Pak tweeted that “You could field a pretty awesome supervillain team with characters from Jonathan Coulton songs,” to which Coulton tweeted back “DO IT.”And, nearly six months later, the Kickstarter campaign will be officially successful and the graphic novel will be underway for a planned summer release.

Hands down, Mr. Fancy Pants. That guy is so focused on pants in that song, and there’s not a lot of backstory. What’s with the pants? America wants to know. He’s obviously got this weird and very specific point of view, it would be fun to see what kind of guy he’d be when you rubbed him up against some more normal characters.

Mr. Fancy Pants. ComicBook.com: 

I’ve actually (I think I told Greg this on Twitter once) seriously considered approaching Coulton in the past about the possibility of doing a bio-comic of Kenesaw Mountain Landis, based exclusively on Coulton’s version of events. Since they don’t sync up with what most people know as reality, I have to ask: in the JoCoVerse, is that song canon?Pak: Ha! I don’t remember seeing that. But yes, every song in the JoCoVerse is canon. Until we reboot in 2022, that is.And we actually may have some news regarding Kenesaw Mountain Landis soon, actually…ComicBook.com: I know for me, I have a pretty clear idea in my head as far as how certain characters would look from the JoCo songs. Was there a particular design that Tak turned in and you said, “Damn, that’s nothing like what I had in my head but it’s great!”?Pak: Every single one of Tak’s designs made me grin and dance around. Each design had some elements I never could have predicted or requested. But each one just rang all the right bells. I made a few tiny requests, like tweaking some hair here and there. But man, Tak somehow just got into my brain and mainlined everything I’d thought and dreamed about these characters.

Who was the most challenging character to get “right” in the design process?Miyazawa: I found Skullcrusher could have gone in many directions and took the most time. With a name like that, it was easy to tip into something ridiculously evil or making him look huge and very imposing. He is a villain, yes, but even villains have weaknesses or things they care about. I think I hit a nice middle ground with all that could be going on internally with the character.ComicBook.com: Is there a character whose design surprised you, in terms of by the time you felt you had nailed it, it wasn’t what you were picturing in your head from the songs/outline?Miyazawa: When I first received the plot outline and songs, I thought Code Monkey was your stereotypical tech geek with ill-fitting clothes, a bad haircut and slouched posture. Y’know, human. Then Greg sent a more detailed character breakdown and it mentioned he was a real monkey and that sort of blew me away but made total sense. The images of him Greg has been posting on the Kickstarter site are literally the first ones I drew. It all locked into place with him.ComicBook.com: Jonathan, are you prepared for the torrent of inevitable fan fiction that will spring forth from your music now that this book will be published?Coulton: Prepared? I’ve been waiting my whole life for this. I’m excited to see what twists and turns come from Greg’s new take on these characters. And yes, I hope that we end up expanding this universe and creating space for a bunch more stuff. The more we’ve thought and talked about it, the more it seems like this is a really fertile bit of ground for some storytelling.ComicBook.com: Are you involved in a hands-on way with this project or is it more a question of trusting Greg and then just looking over his shoulder to see how cool it is every so often?Coulton: Usually I’m too drunk when Greg calls to run stuff by me, so he’s doing all the work (joke). So far we’ve really just got an outline, and that was mostly generated by Greg, but with a little input from me as we went along. I’m not entirely sure how we’ll work the writing side of things – obviously I’ve never written a comic book before, so I feel like I need to watch and wait a while. But once you get me rolling on the complicated internal lives of these characters, I can talk for days about how they feel and what bugs them and who they’re secretly angry at.ComicBook.com: 

If you already had Monkeybrain on board for this project, why hit Kickstarter as well? Was it just a question of getting the artists paid?Pak: Exactly. Everyone gets paid. That was hugely important to us. Also, Kickstarter helps create an event feeling and a community around the whole thing. I think that’s absolutely key for genuinely independent projects with little-to-no promotions budget. Our challenge is to create a way for people become a real part of this, so that it’s a living, breathing thing that we’re all bringing up together. Again, we’re so hugely grateful to all our Kickstarter supporters. Code Monkey loves all his mommies and daddies.