Booster Gold, Grave Sight Announced in Syfy's Aggressive Development Slate

At an upfront presentation earlier today, Syfy announced a new development slate which sees the network planning for more original programming hours than they've ever had before, including new TV projects from Stephen King and Charlaine Harris, as well as adaptations of The Adjustment Bureau and DC Entertainment's Booster Gold. A TV show based on Platinum Studios' comic book Grey Legion was also announced. King's Eyes of the Dragon, more fantasy than his regular horror oeuvre, is one of only three movies currently in development at the network, alongside Darkfall from Jim Henson Studios and One Mile Straight Down, an earthquake chatastrophe story written by Skip Woods of X-Men Origins: Wolverine fame. The TV slate is substantially more aggressive, though, with a number of reality offerings as well as eight scripted series from a number of names familiar to the comics community. Their scripted offerings are described below, taken from a press release provided by Syfy via The Futon Critic.

Rewind - Rewind revolves around a team of military field operatives and civilian scientists who must use untested technology to travel back in time to alter events and change the future -- and avoid a devastating terrorist attack. Shane McRae stars as Sean Knox, ex-Special Forces who ranks as a field operative in a special division of the Department of Homeland Security. The pilot also stars Jennifer Ferrin, Academy Award nominee Keisha Castle-Hughes (Whale Rider), Robbie Jones and Keon Mohajeri, and is currently in production in Toronto. Jack Bender (Lost, Alphas) is directing the pilot, written by Justin Marks (Street Fighter: The Legend of Chun-Li), who will also executive produce with Tom Spezialy, Gail Berman, Lloyd Braun and Gene Stein. A production of BermanBraun and Universal Cable Productions. The Adjustment Bureau - In this drama, based on the hit movie starring Matt Damon, guardian angel-type agents work to keep the world according to The Plan. They create everything from plane crashes to coffee spills in order to steer people to realize their true destiny. But there is one thing the operatives and their Chairman can't control -- free will. Writers: Todd Slavkin & Darren Swimmer (Melrose Place, Smallville). Executive producers: George Nolfi (The Adjustment Bureau, The Bourne Ultimatum), MRC, Slavkin and Swimmer. A production of Universal Cable Productions. High Moon - Based on the novel, The Lotus Caves, by John Christopher, this imaginative, out-of-this-world series explores a world where the countries of Earth have established colonies to mine the Moon's resources. When a new life form is discovered, chaos erupts as various factions race to uncover its powerful secrets. Executive producer: Bryan Fuller (Hannibal, Pushing Daisies). Co-executive producer: Jim Danger Gray (Pushing Daisies). Writers: Bryan Fuller and Jim Danger Gray. Executive producer: Granat Entertainment. A production of Universal Cable Productions. Untitled Booster Gold Project - Based on the best-selling DC Entertainment Comic, this is the story of a washed-up athlete from the future who travels back to the present in hopes of becoming the greatest superhero of all time. But instead of chasing criminals, his main priority is chasing fame and money. Booster Gold discovers that being a hero takes more than just a megawatt smile. Writer: Andrew Kreisberg (Arrow, Warehouse 13). Executive producers: Greg Berlanti (Green Lantern, Arrow) and Andrew Kreisberg. Producers: Greg Berlanti Productions in association with Warner Horizon Television. The Booster Gold comic book series is published by DC Entertainment, which will also act as an executive producer. Grave Sight - From the best-selling author of True Blood, this Charlaine Harris book series follows Harper Connelly - a young woman with a unique gift. After being struck by lightning as a teenager, Harper can sense the location and last memories of dead people. She teams up with her protective stepbrother, Tolliver Lang, to help find a missing teenage girl -- only to uncover a network of lies and murders throughout a small town in the Ozarks. Writer: Kam Miller (Law and Order: SVU). A production of Universal Cable Productions. Seeing Things - Based on the comic Grey Legion from Platinum Studios, after a cop meets his violent demise, he returns as a ghost to close his last case. But the only person who can help him is a socially awkward man who is realizing for the first time that his hallucinations may not be all in his head. Writers: David Slack (Person of Interest, Lie To Me) and Gabrielle Stanton (Haven, The Vampire Diaries). Executive producers: David Slack, Robert Cort and Scott Mitchell Rosenberg. A production of Fox Television Studios. Defender - In the aftermath of an intergalactic war between humans and transhumans, the starship Defender, populated by a combustible mix of former enemies, is sent on a seemingly simple goodwill mission, which turns into a fight for their lives and for the safety of the Universe at large. Executive producer/writer: Robert Hewitt Wolfe (Alphas). A production of Universal Cable Productions. The Family - For generations, an alien family has hid amongst humans in plain sight using their advanced intellect to carve out a life for themselves as their family grew. But when the family patriarch that kept peace amongst the factions dies, a war begins to brew with some members believing the time has come to reveal themselves, and their superior power, to the inferior human race. Writer: Dan Harris (Superman Returns, X2). Executive producers: Neal Moritz (21 Jump Street, Total Recall), Mark Verheiden (Falling Skies, Battlestar Galactica). A production of Sony Pictures TV.

That Booster Gold is listed as "Untitled Booster Gold Project" is sure to raise some eyebrows; there are several possibilities as far as why they might retitle the show, the most mundane of which is that the network simply didn't like the ring of it, but it's certainly more fun to imagine what other DC characters might find their way into the story to justify a different name. How many of these will actually make it to air is, as always, hard to say--but certainly grabbing headlines with a massive onslaught of original programming has to be an attractive proposition for Syfy, who also paid a decent some (presumably) to license most of these properties that they didn't invent themselves. Hopefully that turns out in favor of viewers getting to see at least pilots for most of these shows.