We have a real love-hate relationship with movies based on DC Comics characters.
On the one hand, we absolutely loved the original (1978) Superman, played by Christopher Reeve. Wonder Woman (2017) reignited our passion for the character. And Heath Ledger's sinister turn as the Joker in The Dark Knight (2008), rewarded with both an Academy Award and Golden Globe for Best Supporting Actor, is impossible to forget.
Then, on the other hand, there's Halle Berry's Catwoman (2004), a film The Austin Chronicle called "utterly devoid of merit, fantastic or otherwise."
And as for Shaquille O'Neal's superhero film Steel (1997)... well, all we'll say is "yikes" to that one.
But as mixed as DC Comics' record at the box office has been, we still keep coming back for more. Our own Brandon Davis called the Todd Phillips-directed Joker an insane masterpiece -- one that won Oscar gold, despite mixed reviews from the critics. And though our own reviewer was disappointed by the uneven storytelling in 2020's Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), Margot Robbie still turned in a captivating R-rated performance.
Where will the newest batch of DC Comics movies fall in the ranking? The retro-styled Wonder Woman 1984, starring Gal Gadot, didn't exactly land with a thud when it premiered on HBO Max and in theaters on December 25, 2020. But it didn't quite capture the magic of the 2017 original, either.
In any case, the movie is a good appetizer for what's coming in 2021, with the James Gunn-directed sequel The Suicide Squad tentatively coming in August and The Batman (with Robert Pattinson in the titular role) slated for October. And antihero film Black Adam, starring Dwayne Johnson, is on the calendar for a December 2021 release.
While we wait for these box-office treats, we thought it would be the perfect time to revisit DC Comics' history at the box office to see which movies are truly legendary, and which are utterly forgettable monstrosities. (There's a little wiggle room in-between, as Jason Momoa's Aquaman proved, but not much.)
Here's every live-action DC movie to be released in the last 40 years, ranked from worst to best via their Metacritic scores. (When there was no Metascore available, we used the corresponding Rotten Tomatoes ranking.)
31. Superman IV: The Quest for Peace
There's not a lot to like in this 1987 film that pits the Man of Steel against the woefully forgettable villain Nuclear Man. Says Desson Thomson of The Washington Post: "More sluggish than a funeral barge, cheaper than a sale at K-mart, it's a nerd, it's a shame, it's Superman IV."
Metacritic Score: 25prevnext
Says Joe Morgenstern of The Wall Street Journal, "connoisseurs of trashy camp" will find this 2004 Halle Berry movie to be "top-grade catnip."
Otherwise, Marc Savlov of The Austin Chronicle writes, "a more exasperating descent into the feline world is difficult to imagine." Ouch.
Metacritic Score: 27prevnext
29. Batman & Robin
While we're on the subject of trashy camp, let's talk about the final Batman film of the 1990s, Batman & Robin.
"Clooney's stiff cornball delivery and tendency to smile during the most tragic moments bring this as close to the cartoonish Batman television series of the 1960s as any of the movies have come," writes Barbara Shulgasser of the SF Examiner.
Metacritic Score: 28prevnext
In this 1997 box-office bomb, weapon designer John Henry Irons (played by Shaquille O'Neal) becomes the superhero Steel to stop his former employer (Judd Nelson) from selling guns to criminals.
Says Sean Means of Film.com: "Steel isn't a movie to excite or even entertain. It exists to move merchandise -- specifically, Shaquille O'Neal's oversized physique and marketing machine."
Metacritic Score: N/A
Rotten Tomatoes: 12%prevnext
27. Jonah Hex
This 2010 film about a Confederate cavalryman-turned-bounty-hunter stars Josh Brolin as Hex and John Malkovich as Quentin Turnbull, his commanding officer-turned-terrorist.
Says the Orlando Sentinel's Roger Moore: "Brolin is so damned good in the saddle, in the hat and in the part that a half-sober viewer could half forget how half-arsed this movie he's starring in is."
Metacritic Score: 33prevnext
25 (tie). The Return of Swamp Thing
Despite all its body horror, this sequel to 1982's Swamp Thing is lighter and campier than its predecessor, with plenty of (attempted) humor. It earned Heather Locklear a Razzie award for Worst Actress.
Says William Thomas of Empire: "The world can only hope The Swamp Thing's abode is now bulldozered and turned into a shopping mall."
Metacritic Score: 39prevnext
25 (tie). Green Lantern
This 2011 superhero film is the story of how Hal Jordan (Ryan Reynolds) becomes the first human Green Lantern.
"The result," says Michael Wilmington of Reader, "is a deadly disappointment, despite Ryan Reynolds's cocky, muscle-flexing charisma as the daredevil test pilot turned intergalactic peacekeeper and Peter Sargaard's movie-stealing turn as a nerdy scientist turned psycho monster."
Metacritic Score: 39prevnext
24. Suicide Squad
Susan Wloszczyna of RogerEbert.com says: "With a few, rare exceptions, the attempts at humor in Suicide Squad land with a thud—that is, if you can hear such a sound over the deafening din of gunfire and the bombastic score."
Metacritic Score: 40prevnext
Though there are many connections between this 1984 film and the Superman franchise -- the title character (played by the relatively unknown Helen Slater) poses as Clark Kent's cousin Linda Lee and befriends Lois's sister Lucy -- Christopher Reeve opted not to appear in Supergirl, even as a cameo.
Writes David Ansen of Newsweek: "Slater makes you believe that people wouldn't know brunette Linda Lee was actually blond Supergirl. That may not be a major cinematic achievement, but it's about the best that Supergirl has to offer."
Metacritic Score: 42prevnext
21 (tie). Superman III
In this relatively unsuccessful-though-profitable 1983 film, beloved hero Superman turns into a total jerk due to counterfeit Kryptonite made by Gus Gorman (Richard Pryor).
"Superman III emerges as a surprisingly soft-cored disappointment," writes Variety in is review. "Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors."
Metacritic Score: 44prevnext
21 (tie). Batman v Superman: Dawn of Justice
In this 2016 film, Batman (Ben Affleck) distrusts Superman (Henry Cavill) and sees him as a future threat, while Superman seeks to expose the vigilante Batman. The end result: A disappointing movie where Superman dies.
Slate's Jonathan Fischer says, "this comics fan hated Batman v Superman with the fury of a thousand red-dwarf suns," calling the film blunt, humorless and baffling.
Metacritic Score: 44prevnext
20. Justice League
Despite making more than $657 million at the box office, this CGI-heavy fifth installment in the DC Extended Universe that sees the resurrection of Superman actually lost money overall.
"It's better than you may expect," says Allison Shoemaker of Consequence of Sound, "a mostly tolerable movie made occasionally enjoyable by a few lively performances, one good fight sequence, and a solid punchline or two."
Metacritic Score: 45prevnext
18 (tie). Swamp Thing
Wes Craven's 1982 cult classic about a researcher-turned-swamp-monster drew mixed reviews. Roger Ebert of Chicago Sun-Times says "there's beauty in this movie, if you know where to look for it."
TV Guide, meanwhile, says "the whole thing is merely silly and not much fun."
Metacritic Score: 50prevnext
18 (tie). Constantine
This adaptation of the DC Comics series Hellblazer, starring Keanu Reeves in the title role, is about a revived occult detective who can see the half-angels and half-demons walking among us.
Says M.E. Russell of The Oregonian, "the movie's stuffed (some might say overstuffed) with wonderfully staged moments and set pieces."
Metacritic Score: 50prevnext
17. Batman Forever
This kitschy 1995 film, directed by Joel Schumacher, pits Val Kilmer's Batman and Chris O'Donnell's Robin against Two-Face (Tommy Lee Jones) and the Riddler (Jim Carrey). It's much more family-friendly than the better-reviewed Batman films that preceded it.16comments
Rolling Stone's Peter Travers says: "Schumacher's method is to use a lighter touch, to stay closer to the cartoon that Bob Kane created for DC Comics in 1939 and to temper Burton's nightmare world with an accessible, brightly colored TV palette."
Metacritic Score: 51prev