Movies

Dune: Part Two Earns Biggest Preview Box Office Since Barbenheimer

The film is set to more than triple the opening weekend numbers of the first Dune.
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Dune Part Two has earned $12 million at about 4,500 locations in preview screenings, according to numbers furnished by Warner Bros. A little of that money — around $2 million — came from a super-early IMAX screening on February 25, but those numbers will roll into the opening weekend calculations for the film, which is currently sitting at over 90% positive reviews from those who have seen it on Rotten Tomatoes.

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Dune Part Two has so far had the most preview-night success since last year’s Barbie and Oppenheimer box office bonanza. It’s running comparable to Deadpool‘s $12.7 million (on the way to a $132 million opening weekend) and The Hobbit: An Unexpected Journey‘s $13 million, which translated to $84.6 million. That’s around half the projected $150 to $175 million opening for Dune Part Two

With The Hobbit, there were fewer preview night showings, as the 6 p.m. Thursday start time had not yet become codified. That suggests a pretty massive surge of up-front interest, with a tapering off that explains why it made so much less than Deadpool, which performed consistently across the whole weekend.

The first Dune, which opened with $41 million, and ended with a global box office haul of $433 million. The second looks on pace to easily beat that number.

Dune: Part Two will explore the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a warpath of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee. 

The big-screen epic Dune: Part Two includes Timothée ChalametZendayaRebecca FergusonJosh BrolinAustin ButlerFlorence PughDave BautistaChristopher Walken, and Léa Seydoux, with Stellan SkarsgårdCharlotte Rampling, and Javier BardemDenis Villeneuve directed from a screenplay he co-wrote with Jon Spaihts based on Frank Herbert‘s iconic novel.