Ichi the Witch is more than a masterwork manga in the making: it’s a herald of a new age for Shonen Jump altogether. It’s almost passé to bring up how Shonen Jump has cut major manga left and right since 2024, but it’s true: several of its most renowned darlings of recent years have ended. Even looking forward, a handful of magazine staples will soon be on their way out: One Piece has a lot of juice left in it, but it isn’t going to last forever.
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The once-in-a-lifetime attachment that anime fans new and old feel to series like Jujutsu Kaisen and My Hero Academia feels irreplaceable, because it is. But Ichi the Witch, penned by Osamu Nishi (the mangaka behind Welcome to Demon School, Iruma-Kun!!!) with art by Act-Age‘s Shiro Usazaki, is one of Shonen Jump’s top up-and-comers. It shows the pivotal role this generation of Jump manga will play in carrying the torch for those beloved series.
What Is Ichi the Witch?
Ichi the Witch centers on Ichi: left for dead in the woods as a child, he becomes a masterful hunter to survive. In Ichi the Witch‘s world, magic is a force of nature, generally materializing as ethereal creatures called majik. Majik can be acquired by witches upon passing a trial of some kind, letting the witches call on their power later.
Of course, there’s a catch! In Ichi, only women can acquire majik and use magic, except for Ichi: a major point of the first ten chapters is his acquisition of a majik called Uroro and his induction into a witches association. Press on a few more chapters and, without going into enough detail to spoil (it happens so early it could hardly be considered a spoiler anyway), it’s revealed that Ichi is a doomed child of prophecy.
Now, how does that work? Is it another “chosen one” story? Not exactly. See, the mysteries in Ichi are dense, but they’re never spelled out. Some manga feel forced, as though they’re trying to say “yes, this series will go on for a long time—look how many questions are left to be answered!” For Ichi, this isn’t the case at all. Its questions are palpable, yet understated. For example, it has infinite runway right now to explore how Ichi’s abandonment might relate to the prophecy, precisely because it hasn’t spelled out the line of inquiry enough to box it in.
In other words, its writing is very clever. In combination with its spry (often irreverent) dialogue, digestibly structured narrative, and creatively choreographed battles (the inventive use of its own mechanics is only rivalled by the likes of JoJo), it’s clear that Ichi the Witch is built to last from the ground up. Its promise rests in the fact that it manages to always pull something unexpected out without even a whiff of contrival.
Ichi the Witch Is Part of a Long Conversation
At the same time, Ichi the Witch always feels very familiar. It’s still young: only about 40 chapters in, as of the time of writing. As far as battle shonen go, that’s basically (at most) a pre-teen. So far, it’s mostly been reviewed on a fairly superficial level: recognizing its great art, story, world-building, and characters, with the occasional mention of how its plot subverts things like gender norms in shonen stories.
Basically, it’s treated as just another battle shonen; it almost feels as though people are so jaded by the recently ended monoliths that they avoid getting attached to a new story by thinking too hard about it. This isn’t helped by the fact that early reviews of Ichi the Witch didn’t get the full picture: it almost tricks you into feeling like it’s a villain-of-the-week manga before exposing you to an overarching plot a bit later on. While its characters clearly have a lot of room to grow, too, their early writing didn’t do much to set them apart from contemporary adventure shonen. (Though Ichi‘s female characters have rightfully received praise.)
What’s incredible above all about Ichi the Witch is its effortless merging of old and new. The art smacks of Togashi’s clean, straight-shooting work in Hunter x Hunter, at times; at others, it has the frenetic energy of Gege’s best-paneled fights in Jujutsu Kaisen. Ichi’s wild-child fundamentals feel like a young Goku, while his impish, friendly, and somewhat rebellious disposition reminds us of Black Clover’s Asta. Parallels can also be drawn between the acquisition of majik in Ichi, Geto’s Cursed Spirit Manipulation in Jujutsu Kaisen, and Shaman King‘s Guardian Spirit system.
However, Ichi is by no means a copycat. It playfully calls out shonen storytelling conventions: an enemy’s takedown of “preachy, idealistic trash” (Chapter 9) feels like a Naruto subtweet. What’s more, its very foundations make cliche devices new again: Ichi‘s acquired magic is a really cool, personal take on a system usually built around natural aptitude and/or impersonal study and training.
Ichi the Witch, Shonen Jump’s Future, and the Art of Influence
Ichi the Witch is great because it arrives just in time to occupy a wide-open niche for Jump: a sometimes-goofy battle shonen ultimately driven by its heart, earnestness, and bigger ideas just below the surface. The best analogy might be that it’s filling a vacancy left by My Hero Academia, standing alongside Black Clover as torch-bearers for traditional battle shonen. Although there are definitely high-ticket earners that have been consistently releasing for a while (Dandadan, Sakamoto Days, Spy x Family), Jump premieres from 2023 onward (like Ichi, Kagurabachi, and Empyreal Cabinet) all signal an extremely interesting cultural shift.
Storytelling is ultimately a dialogue between different stories: stories respond to, evolve with, and try to outdo other stories in one way or another. They also develop to respond to ever-changing readership concerns and cultural trends. For myriad reasons, you could see the likes of Chainsaw Man, Jujutsu Kaisen, and Demon Slayer as responses to and evolutions of major 2000s and early-2010s manga. You can see Ichi and crew, likewise, as responses to the aforementioned contemporaries.
The grimdark obsessions and irony-laden stories of the pandemic era seem to be giving way to more straightforward storytelling, and what’s more interesting about that is seeing how the mechanics and dynamics of those manga mutate: in Ichi the Witch‘s case, it goes for an unimposing, direct approach that reconstructs the narrative and structure of older battle manga while maintaining the impermanence the outgoing generation of Jump manga revealed in their foundations.
Above all, what Ichi the Witch shows is that there’s nothing to fear. The giants of Shonen Jump haven’t gone anywhere; they live on in the blood of new series like Ichi. Those new stories don’t show any signs of losing momentum any time soon, since they change with the times just like Jump stories always have. Ichi the Witch has been a major success. It flows and flows and goes down smooth, and as its story develops (and it hopefully lands an anime adaptation) it’ll acquire even more fans, skillfully deploying them to lift up Shonen Jump.
Do you have something you want to say about Ichi? Drop a comment below, or directly reach out to the author (@KoltDay) on X (formerly Twitter)! Meanwhile, if you want to see more of what’s hot in Jump right now, click through to the list below.
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